Netflix recently addressed several key issues.
The ‘Next on Netflix 2026 Korea’ event took place on the morning of the 21st at Conrad Seoul in Yeongdeungpo-gu, Seoul, where the platform unveiled its 2026 content strategy and lineup.
Attendees included Don Kang, VP of Content for Netflix Korea; Senior Director Bae Jong-byung; Director Kim Tae-won; and Director Yoo Ki-hwan.
Don Kang, VP of Content for Netflix Korea, revealed that “210 Netflix productions have reached the global TOP 10 over the past five years.” He added, “This achievement has enabled Netflix to invest boldly in Korean content. As our influence grows, we aim to be a continuous partner in building a broader creative vision.”
He further stated, “Netflix is committed to unwavering long-term investment in Korean content. While minor adjustments to the annual release schedule may occur due to production timelines and cycles, our investment will persist. We plan to invest in and strengthen not only original series, films, and entertainment shows, but also licensed collaborations.”
Additionally, Netflix plans to increase opportunities for emerging creators, noting that series and films by rookie writers and directors have debuted over the last three years. The platform is also providing training programs to enhance skills across production techniques and collaborating with film festivals, such as offering Mise-en-scène Short Film Festival films on Netflix.
Netflix unveiled a lineup of 29 Korean titles, encompassing series, films, and entertainment shows, and also hinted at upcoming global releases.
During the Q&A session, various issues surrounding Netflix were addressed. Addressing rumors that Netflix is shifting focus to entertainment due to rising actor fees, Don Kang, VP of Content for Netflix Korea, clarified, “It’s not true that we’ve shifted to entertainment because of increased production costs. We’ve long explored entertainment, especially since Director Yoo Ki-hwan joined to enhance this effort. The enjoyment from dramas, films, and entertainment varies, and we believe entertainment production is necessary.”
Director Yoo Ki-hwan further explained, “The number of productions has gradually increased. It’s not an abrupt change, but rather a response to demand by realizing entertainment production potential.”
Addressing concerns about ‘Moral School,’ Senior Director Bae Jong-byung stated, “Although based on a webtoon, it tackles essential themes for today’s era. We are aware of criticisms and concerns surrounding some episodes and have developed the work responsibly.” He assured that viewers will recognize this responsible approach upon release.
Discussing the global popularity of ‘Cataclysm,’ Director Kim Tae-won noted, “This CG-heavy project presented both expectations and concerns. Despite mixed reactions domestically, it remains second overseas, demonstrating a positive trend where global audiences are embracing Korean films. We consider it a cultural milestone and appreciate the continued support.”
Regarding concerns about Lim Sung-geun’s criminal background from ‘Black and White Chef,’ Director Yoo Ki-hwan acknowledged, “It’s a challenging issue we face as reality shows grow, with audiences demanding raw content. Despite extensive recruitment and production efforts, identifying individuals’ criminal backgrounds has limitations.”
He added, “We strive for thorough verification within legal limits and are considering enhancements. Our processes exceed standard industry practices.”
